From the canon

Tom and Emily’s Wedding

Shoots from the Ash

Cover for Shoots from the Ash

Full passage

One crisp afternoon, while tuning his saxophone before playing at a barn dance in town, Donal Flaherty happened to see him.

‘You’ve gone and put down roots, MacKail,’ Donal said with a grin. ‘Didn’t think you had it in you.’

Tom only smiled. He wasn’t ready to put into words what he knew in his heart.

That evening, after his set, he rode to the settlement under a moon so bright it turned the prairie silver. Emily was sitting outside her mother’s cabin, a shawl drawn around her shoulders, her basket work resting in her lap.

‘I thought you’d be in town tonight,’ she said, surprised.

‘I was,’ Tom replied, dismounting. ‘But I wanted to see you before the week starts.’

They walked to the river’s edge, where ice was forming in delicate patterns along the bank. The only sounds were the water’s quiet movement and the distant crackle of a fire back in the settlement.

‘I’ve never felt this way about anyone before,’ Tom said at last. ‘I want to be with you, Emily. Always.’

She looked at him steadily. ‘Tom, I care for you too. But our worlds are different. You’ve seen enough to know that.’

‘I have,’ he said. ‘And I’ll honour your traditions. I’ll do whatever it takes.’

The next day, Tom returned to the settlement with a purpose. Aponi was splitting kindling outside the cabin when he approached.

‘I want to marry Emily,’ he said plainly.

Aponi rested the axe against the block. ‘Our customs are sacred. If you wish to marry my daughter, you must respect them.’

‘I will,’ Tom promised. ‘You have my word.’

Waya and two other elders joined them while Aponi explained what was required. Tom would continue proving his reliability through winter and spring, help with planting and prepare a gift for Emily’s household before the families shared a meal.

Tom agreed without hesitation. He knew it would mean months more of balancing his music circuit with settlement work, but as Emily stepped out of the cabin and met his eyes, he felt the resolve settle deep in him.

This was not a promise made lightly. It was the first step towards a life he had chosen — and the woman he meant to share it with.

The seasons turned, and Tom kept his word. Through the biting winds of winter, the muddy thaw of spring, and the first warm weeks of summer, he returned to the settlement again and again. He helped plant corn and beans in the riverbank fields, repaired roofs after a storm, and brought back part of his earnings from his music jobs to contribute to Aponi’s household.

By early summer of 1921, the elders agreed: Tom had shown himself to be a man of his word. Aponi gave her blessing, and Waya announced the wedding date to the community.

Preparations began at once. Emily’s dress was cut from soft doeskin, the bodice and hem stitched with bright beadwork in patterns of flowers and vines. Aponi wove her a sash in red and white — the colours for happiness and unity. Tom, at Emily’s suggestion, would wear a white linen shirt with a hand-loomed belt given to him by Waya, along with a small pouch containing cedar shavings for protection and good fortune.

On the morning of the ceremony, the settlement gathered in a grassy clearing near the river. The air was warm, scented with wildflowers and the faint smoke from cooking fires. At the centre of the space, a woven mat held a basket of corn and beans, gifts from Emily’s family to the couple, symbolising prosperity and the joining of their lives.

Waya, as the officiant, began with a blessing in Cherokee, then translated for Tom:

‘These are the foods that sustain us. May they remind you to feed one another’s spirit and body, every season of your lives.’

Tom and Emily washed their hands together in a clay bowl of water, a ritual to wash away the past and begin anew. They joined hands, and Waya bound their wrists lightly with a strip of red cloth, speaking words of unity. When the cloth was untied, the community cheered, and Aponi stepped forward to offer each of them a sip of sweet corn drink.

After the vows, the music began — Cherokee drums and flutes, followed by Tom’s saxophone weaving a slow, soulful melody into the rhythm. People danced, children darting between the grown-ups, the laughter of both families mingling in the warm air.

The next afternoon, Tom and Emily rode into the nearby town for the legal ceremony. At the small courthouse, with two witnesses from each community, they signed the marriage register. The justice of the peace, a balding man with a kindly smile, shook their hands. ‘You’ve done things properly,’ he said. ‘May you have many good years.’

When they returned to the settlement, the sun was sinking over the plains. Emily’s cousins had prepared a supper — venison stew, cornbread, berries in syrup — and the two families sat together until the stars were out.

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